Surf Rock is Arabic

Surf Rock is Arabic

We tend to think of surf rock as an all-American musical style. However, it has some amazing roots.


Misirlou – an early example of Surf Rock

Source: Surf music – Wikipedia

Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics.

Take for instance, the famous tune, Misirlou, which goes back to a Mediterranean folk song of unclear origins. Misirlou (1963), by Dick Dale and the Del-Tones, was an early example of American surf rock.

So where did MISIRLOU come from?

http://en.wikipedia.org/wiki/Misirlou

The earliest known recording of the song was by a rebetiko musician, Tetos Demetriades, in 1927. In 1930, Michalis Patrinos and his rebetiko band recorded a cover version in Athens, Greece. As with almost all early rebetika songs (a style that originated with the Greek refugees from Asia Minor in Turkey), the song’s actual composer has never been identified, … Patrinos, who originally lived in Smyrni, named the song “Mısırlı” or “Misirlou” which means an Egyptian Muslim girl, as opposed to Egyptian Christians who were referred to as Αιγυπτιοι (Aigyptioi) in Greek.

There is a debate over who composed the melody. Did the Greek band really compose it? Was the composition a modification of an earlier tune? There are claims that “Misirlou” was Arabic in origin, and actually comes from an Egyptian singer/composer Sayyid Darwish.

Nevertheless, Dick Dale was half-Lebanese, and an Oud player before he picked up guitar. He grew up playing these melodies, and would have been familiar with the tune. Dick brought all of that experience with him when he created surf music.

http://en.wikipedia.org/wiki/Misirlou

The song was rearranged as a solo instrumental rock guitar piece by Dick Dale in 1962. During a performance, Dale was bet by a young fan that he could not play a song on only one string of his guitar. Dale’s father and uncles were Lebanese-American musicians, and Dale remembered seeing his uncle play “Misirlou” on one string of the oud. He vastly increased the song’s tempo to make it into rock and roll. It was Dale’s surf rock version that introduced “Misirlou” to a wider audience in the United States

Let’s go back to an earlier Greek recording of the tune.


The Greek recording

One of the comments on the video says:

https://www.youtube.com/watch?v=tPSDH4hdS3Y

There are claims “Misirlou” is Arabic in origin, specifically coming from Alexandrian singer/composer Sayyid Darwish and his song “Bint Misr.” He supposedly recorded it around 1919 but until a copy surfaces, we’ll just have to wonder! DICK ROSEMONT

Indeed, many Arabs claim the tune as their own Arab original.

http://en.wikipedia.org/wiki/Misirlou

The song’s oriental melody has been so popular for so long that many people, from Morocco to Iraq, claim it to be a folk song from their own country. In fact, in the realm of Middle Eastern music, the song is a very simplistic one, since it is little more than going up and down the Hijaz Kar [link inserted] or double harmonic scale (E-F-G#-A-B-C-D#).

The Hijaz Kar is one of the Arabic musical scales, called maqam. As Misirlou was based on that basic Arab scale – amenable to modification – this is another indication that the tune was probably not originally composed by the Greek band, though they might have modified an earlier composition. Almost certainly the tune went back further. Maybe to Egypt, maybe further back.

It might be a stretch, but it might go back to the Hijaz, the western side of Saudi Arabia.

So there you have it. Surf Music may be Arabic in origin.

So it looks like this:

Hijaz (?) → Egypt → Greek neighborhood in Turkey → Greek recording in America →
Adopted by Dick Dale to Surf Music

Try not to forget that when you hear these blond, blue-eyed All-American boys play the song.

BUT, FINALLY IF THAT IS NOT ENOUGH TO CONVINCE YOU!

Check out this tune: SURFING TO MECCA, by Tempest. It blends American Surf Music with Arabian music almost seemlessly. You will immediately see that Surf Music is the child of Arab Music.


Posted on YouTube: February 25, 2015

If that does not convince you, then you are tone deaf.


May 8, 2017 – Edited: Minor edits.
November 24, 2017 – Edited: Added video.
September 4, 2020 – Edited: Added text and video.
September 28, 2021 – Fixed video links.

Palestinians or Arabs?

This was preached in the United States. However, America has over 30 Million Latins; a greater population than many Latin countries.

The preacher is giving a standard Evangelical line.

The Palestinians do not exist. They are merely Arabs from somewhere else.

I understand his point. He wants to assert Israel’s right to the land. I agree with that.

However, I am not so sure you can say an invented people do not exit.

America invented itself in 1776. Mexico, Argentina, Chile, and a large section of Latin America invented themselves in 1810. Belgium invented itself in 1830.

Nations invent themselves all the time.

There was a considerable Arab population in the land before 1900. Even Jewish sources admit that. About 500,000 non-Jews.

Natural birth rates could explain most of their increasing numbers up to 1948.

Was there migration in during the Mandate period, as Joan Peters asserts? Yes; but most of the Arabs there were not immigrant stock. Joan Peters was not wrong, but she did exaggerate.

The Palestinian-Christians of Chile certainly feel they are Palestinian. They formed a soccer team in 1920 called the Palestinos – Not the Árabes, or Syrios del Sur (South Syrians). They considered themselves Palestinian as early as 1920.

That does not mean the Palestinians have a greater claim to the land than the Jews. It means only that the line of reasoning of the Preacher has its flaws.

One can say the Jews have a better claim. One cannot say the Palestinians have no claim.

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